My name is Eric Sarachman I am currently working as an independent artist/designer with glass and glassblowing as my main focal point. I’ve had

an intense fascination with science and phenomenon for as long as I can remember but my first true appreciation for a creative process came in

the medium of spray paint. I was exposed to a certain technique of using spray paint to create incredibly vivid depictions of landscapes with dynamic galaxies and planets filling the sky. 


Through much experimentation with this medium, I discovered the paint could be layered in a certain way that would make the top layer  literally rip open to reveal the color underneath in a very visually interesting way.

I even went so far as create an entire calendar using this imagery while completing my undergraduate degree in Visual Communications. 


Shortly after completing this calendar I took my first glassblowing class and, again, I was completely inspired by the process and all the possibilities it represented. During this time, I watched as many glassblowing videos as I could find. Luckily, I watched a live streamed demonstration by Micke Johansson where he used a technique called a Swedish Overlay to put solid layers of colored glass directly on the surface of a piece. He subsequently used copious amounts of heat to cause the top layer of colored glass to literally rip open revealing the color underneath and creating a very distinct texture. I was amazed how similar this texture was to what I had been seeing in my spray paint experiments. Fortunately, I was able to attend a class taught by Richard Royal the next summer. I this class the Swedish Overlay technique was a main focus and I was able to do my first Swedes.


Since this class, taken in 2019, I have been experimenting with this technique, trying to figure out the exact reason the glass behaves in this way and what conditions/environments the glass must be in for this texture to occur. I knew from the Micke Johansson demonstration that chemical reactions between the different colors of glass played a big part as well as an intense amount of heat applied to the glass, to encourage the reaction. While I have taken a number of chemistry classes, some at the collegiate level, I am by no means a chemist. After much trial and error I have been able to create the texture I have been searching for and I have scratched the surface on why it occurs and how to create the conditions necessary for the reaction to occur. 


My goal for this body of work going forward is to use this texture/reaction/set of circumstances as a metaphor for human existence and experience, specifically the experiences that drive humans’ inherent need to create and their desire for self expression. I believe this desire can be found in every person but it may lay dormant forever, or at least until the right experiences/circumstances are present in someone’s life. I intend to attempt to show this in my future work by using symbols of existence, creation, and destruction combined with the rip texture to imply creativity is/can be the result of very unfavorable conditions and difficult experiences but can only be truly shown if these conditions are experienced in a certain way or in a certain chain of events.